The Illuminations Read online

  ‘You know everything,’ Ian said. ‘Keep that shit for your patients, Esther. She’s not asking for gold. She wants to be safe at night and this place is the answer.’

  Maureen never heard the details of this argument, but Alex later gave her a few clues and it upset her to think of them not getting on. She didn’t want the boys being too hard on Esther just because she was different. Esther had a lot on her mind and she sometimes blamed people, that was her problem, and you have to remember, Maureen noted, that Esther wasn’t too happy in her own life, not nearly as happy as she liked to think, and she sometimes took it out on other people. It was only natural. When you had a big job like Esther’s, people could expect too much. That’s right. Esther was her own worst enemy.

  On her way back from the Spar, hugging the milk, Maureen saw the street lights switching off. In winter it was often dark when she went out and getting light as she returned. She liked the sudden change of atmosphere and the sense of a new day beginning. Only when she went to cross the road to Lochranza House did Maureen spot the fire-engine and notice that smoke was escaping from an open window. Jackie the warden was standing out in the car park with a clipboard, the elderly residents gathered around in their dressing-gowns.

  ‘Jesus, Mary and Joseph, what’s the matter?’ Maureen said, putting the milk down on a bench.

  ‘It’s Mr MacDonald in 29,’ Jackie said. ‘Burnt the toast again.’

  ‘Oh dear,’ Maureen said.

  ‘Evacuation.’

  ‘Heaven help us,’ said Mrs Souter from flat 24. ‘Is this what they call an evacuation?’

  ‘It has different meanings,’ Jackie said.

  Anne was sitting on the bench. There was a suitcase at her feet and a smile on her face. ‘It’s not that bad,’ she said, looking at the sea. ‘Beautiful lines over there, don’t you think?’ Maureen had wandered back to pick up the milk she’d left on the bench. ‘It’s all nice when you stop and frame it,’ Anne went on, ‘the people and the horizon and everything. If we wait long enough we’ll see the Waverley sailing past.’

  NATURAL LIGHT

  One day Anne asked for an outing and Maureen took it upon herself to see that the trip went well. It was a constant battle in Maureen’s head, the wonder of central heating versus the benefit of fresh air, but she was happy to do all the zipping and buttoning required for a walk into town. Ian dropped in on his way to work to change a light bulb in his mother’s airing cupboard. ‘What are you up to today?’ he asked. ‘Going down Shenanigans for a few pints with the biddies?’

  ‘That’ll be right,’ Maureen said. ‘It’s too cold to go out. Plus there’s nowhere to go.’

  ‘Really? You could go to the pictures. If I wasn’t working I’d go to the pictures every day.’

  ‘It’s too dear,’ she said. ‘Plus you have to go to Kilmarnock and all the films are about sex or blowing people up.’

  ‘Awesome,’ he said.

  ‘Plus, I am working. That living room won’t vacuum itself and the plants out there are begging for water. Somebody’s got to do it and it might as well be me.’

  She needed him to think her enjoyments were few and far between. But after Ian left she went in to help Anne choose a dress and a coat and sensible shoes that would grip. Anne talked about the clothes that once belonged to her aunts who had lived in Glasgow: ‘Atholl Gardens. Number 73. I’m talking about a place with fourteen rooms,’ Anne said. ‘You don’t get houses like that nowadays.’

  ‘Was it nice?’ asked Maureen.

  ‘I’m talking rheumatism. Varicose veins. And chests of drawers full to overflowing with corsets and what have you.’

  ‘You should wear a cardigan under your coat.’

  ‘There were six floors. The moths had a great time and God knows how many coats they ate.’

  ‘Put your scarf on.’

  ‘A scarf’s like a friend, isn’t it?’

  Maureen smoothed Anne’s hair. ‘I was always telling them to get rid of stuff,’ Anne added. ‘But they wouldn’t, Maureen. They couldn’t bear to get rid of so much as a pair of stockings.’

  ‘Is that right?’

  ‘My father was never out of the church. That was before Glasgow, mind you. In Canada. He was looking for God, up there in the church. My mother didn’t keep well. She had the disease that makes you shake. She stayed in her bed and I think she died in that bed.’

  ‘In Canada?’

  ‘That’s right. I was young then.’

  The rabbit sat on the sofa with a tea towel tied around him and Anne stopped to look over.

  ‘I think we’ll leave him behind today,’ Maureen said. Anne offered no argument but said again that she had been a child in Canada, something about ice on the road to Dundas.

  Anne sometimes looked at things and you felt she was developing a picture in her mind’s eye. ‘That was the old bathing pond,’ she said, measuring the light as they walked into town. ‘And I think rock ’n’ roll groups used to play there in their suits – the Marine Theatre.’

  ‘Groups? I don’t think so.’

  ‘All the girls would scream,’ Anne said. After a few more steps, they stopped. ‘Don’t let me miss the post again today.’

  ‘What?’

  ‘The post. I always send a cheque. Never miss it. They’ll be waiting for a cheque in Blackpool.’

  This was a mystery to Maureen. She’d heard Anne speak before about people in Blackpool who were waiting for money. She mentioned it on the phone to Anne’s daughter, Alice, who just sighed and said she didn’t want anything to do with it. It was clearly a part of Anne’s life that was off-limits or stuck in the past, but the dementia was bringing it out and Maureen wanted to know more, in case she could help.

  ‘Who, Anne? Who’s waiting for a cheque?’

  ‘A nice man and his wife.’

  ‘And who are they?’

  ‘Never mind,’ Anne said. ‘I’ll do it myself.’ They walked on and Maureen told herself not to take it personally. It was part of the illness. She could only do what she could do. Anne had her own wee things to contend with and didn’t really need the post office.

  Alice lived up the coast and Maureen knew it had been a risk to phone her that morning. But she thought Alice might like to drive down and take over after lunch. It was a stressful situation because Anne undervalued her daughter, as she heard said on television, and the daughter had self-esteem issues and the family was dysfunctional. But two wrongs don’t make a right and what doesn’t kill you makes you stronger. Maureen sometimes heard herself sounding like a wise person on a talk show and it made her feel modern that she understood people’s problems. ‘I think it’s healing the way you always tried to keep in step with your grandson,’ she said.

  ‘In step?’

  ‘Yes, with Luke. Before he went into the army.’

  ‘Books,’ Anne said. ‘He studied literature and it was lovely stuff.’

  ‘You read all those books?’

  ‘Oh, yes. We used to buy them at Dillon’s. And we’d discuss them when he came over to visit me.’

  ‘It’s a surprise when a boy like that chooses the army.’

  ‘I thought he’d be a somethingologist,’ Anne said, ‘but men don’t always get to be what they want to be.’

  On their way down Sidney Street, Maureen told Anne it would do her good to see her daughter. ‘She just wants to put me in a home,’ Anne said. ‘She just wants to get the keys to the flat.’

  ‘That’s not true, Anne. They wouldn’t give her the keys. Our place isn’t for young people.’

  Maureen thought it was a true saying: you can choose your friends but you can’t choose your family. Anne looped her arm through hers and they stopped in at the newsagent so that Maureen could buy some mints. The magazine rack was full of faces that Maureen knew off the telly and Anne stared past the men’s magazines to a shelf stacked to the ceiling with Airfix boxes.

  The Candy Bar wasn’t busy. Maureen was all smiles, leading Anne by the arm t
hrough a group of empty tables. ‘We’re waiting for a part in Charlie’s Angels,’ she said to the waitress, ‘so mind and keep the strawberry tarts away from us today. We’re watching the figure.’ Maureen peeled off her friend’s coat and put the scarf inside the sleeve. She sniffed the scarf before tucking it in, liking the perfume, the essence of Anne. Then she went round to her own side and placed her purse on the table.

  ‘This is my treat. Ian left me a wee tenner this morning so we’ll let him buy us our tea.’

  Anne was looking at the light coming off the teaspoons. It was a familiar process for her, looking at objects and the way the light picked them out and changed them. Her mind fell back to when she first met him. He was giving a talk about documentary photography and capturing life on the street. He spoke at the Masons’ Hall not far from the tower and his cheeks were flushed as he stood on the stage.

  You were a lovely speaker. You had the audience in the palm of your hand for the best part of two hours.

  They went for a drink at the Washington Arms that night and he began to tell her a story about himself, a story that never ended. Even after he died the story continued and became something she added to herself. She liked to think of him walking on the promenade with his back to where he was going, looking at her, talking with his hands.

  A man called Cotton worked at the Air Ministry. That’s right. He got planes off the ground, Spitfires and Blenheims. Your eyes burned naming them. You were never a bad man, Harry. Not really. The planes did photographic intelligence at a height of 30,000 feet. They were the first, the first of their kind you said and I’m saying watch where you’re going. You nearly tripped. It seems there was fog and snow over Germany …

  ‘Anne, that’s the salt, hen. Not the sugar.’ Maureen was smiling as if to say that it didn’t matter. Anne had ripped the salt sachet instead of the sugar and poured it into her tea.

  ‘It’s nae bother,’ the girl said and she took the mug away and came back with a fresh one.

  ‘We stopped for ice-cream,’ Anne said, remembering Harry. She could see his scarf blowing in the wind. ‘There was a jukebox inside and it played the new music.’

  Maureen stirred her coffee and then turned her attention to something new. She spoke with a changed expression. ‘I’m worried about my three. It’s these children they have. They run riot.’

  ‘Grandkids is the good bit,’ Anne said. ‘You can love them but you don’t have to take all the blame.’

  ‘And that Kirsty one. Ian’s wife. She hired an au pair. An au pair, just to look after the child while she goes to the hairdresser. The hairdresser. I mean, is it me, Anne? Is it me that’s half-daft? Weak. They got that from their father: they can’t stand up to these women.’

  ‘Are you divorced, Maureen?’

  ‘Oh, years ago. He’s dead, to me anyhow. Lives in Stirling with someone. I don’t want to know. They can’t pull the wool over my eyes.’

  ‘You like being upset, don’t you?’ Anne said. The question came innocently and Maureen thought it was part of her illness.

  ‘Families,’ she replied. ‘They take it out of you. If I won the lottery I think I’d just go and lose myself in Spain. To hell with the lot of them. They could come and find me.’

  ‘Harry flew planes during the war,’ Anne said. ‘His were called Lysanders.’

  ‘Is that right?’

  ‘They flew in secret out of a place in Devon. All hush-hush. That’s how he learned his trade, going into Germany and France during the night to take pictures of factories and docks. They got medals because every night they put their lives at risk, eh? That was Harry.’

  ‘That’s something to be proud of, Anne.’

  ‘I think it was hard for those men to live with what they’d done. Keeping it secret all the time.’ Anne said it softly.

  ‘Are you all right, Anne?’

  She drew a deep breath and made a motion with her hand. ‘There used to be a lovely gypsy in Blackpool who could tell your future.’

  It was amazing to talk to Anne. She had all these pieces in her life that didn’t really fit together, and when she was talkative she said things that made you think her life had been quite complete. Yet everybody has their problems. Maureen didn’t know what the trouble in Anne’s family was all about but she knew instinctively how to treat it as important. Alice came into the cafe looking nervous, looking televised, unwinding her beautiful scarf as she walked to the table. She’ll be on one of her diets and won’t want any cake, thought Maureen.

  VIDEO GAMES

  Alice’s doctor in Troon had said something lasting. He said the thing with dementia was that it trapped the sufferer in vagueness and spoiled the offspring’s hopes for a satisfying closure, especially if the relationship had been difficult. Alice had lived with a mother who thought her daughter lacked something, and now, aged fifty, Alice wondered if she couldn’t mount one last attempt to change her mind.

  The problem was that Alice slightly agreed with her mother’s view of her. Anne possessed a little mystery and a good imagination while Alice had always been a little demon of reality. Even as a teenager Alice could see those traits in herself: first to correct, last to believe, and always resistant when asked to imagine the impossible. She wanted proof that something was valuable, needed evidence beyond the word of some artist, and for years she prided herself on this distrust, as if it was a gift to be so hard to fool. Nowadays, when she looked in the mirror and pouted and shook her hair, she sometimes got a glimpse of the person other people saw, a certain sourness, a gleam of small-mindedness. Alice knew she was better than her demeanour, but it was hard to prove.

  She was saying how she’d recently gone to Luke’s place in Glasgow. He had one of those modern flats near Central Station, the kind with underground parking, bushes and an intercom. He wasn’t there that often because of serving abroad or being down at the barracks in England, but he’d been up for what Alice called ‘the Christmas period’. ‘He didn’t come down to Ayrshire,’ she said to her mother, ‘unless he came over to see you without telling me.’ She shrugged and smiled, looked at Maureen. ‘It’s always a possibility,’ she added.

  She went on to say it was more likely he’d been up boozing in the city with his squaddie pals and then returned to Helmand without anyone noticing. Maureen nodded. She felt that was the kind of thing men did, they came and went, never realising how much they were hurting people. Such a sensible-looking young man, too, in his tunic and green beret. ‘It hasn’t changed in years, that flat,’ Alice was saying. ‘You should see the mess. He gave me a key but if he thinks I’m going up there to clean for him, he’s got another think coming.’

  Anne was irritated. She drank her tea. An old sentence ran in her mind whenever Alice was giving one of her speeches. ‘She knows the price of everything and the value of nothing.’ Luke was like her and not dull or small like his mother. He was someone who loved pictures, shells, and all sorts of things. He loved to fly away. She could recall seeing the start of an artistic temperament in the boy and being delighted. It had spelled out a closeness between them. He once dropped in from school to tell her that Lysander was not only the name of a fighter plane but a Spartan warrior, and it remained with her, the way he smiled, the way he ran into the living room with his big open eyes.

  ‘He’s a cut above the usual kid, my grandson,’ she said.

  ‘He might be a cut above,’ Alice said, ‘but you should see the state of that flat of his.’

  Alice didn’t go into it, didn’t say that when she’d opened the door to her son’s flat, she suddenly felt safe. His mail was piled in the hall and she gathered it all up. She put it on the kitchen top next to some empty beer bottles and a book called Kim. She went round dusting and she loved loading the dishwasher and making the bed. She boiled the kettle and she enjoyed choosing a cup and placing it on a saucer. She loved cleaning an ashtray and taking it out onto the narrow balcony and smoking a cigarette, looking over to the glass roof of the railway stat
ion. Luke was in a desert at that very moment and he was probably shooting a rifle or riding in a tank and she was here, waiting. It wasn’t the life she wanted for him. And she was sure that was one of the reasons he wanted it for himself.

  ‘Such a nice flat, but what a mess.’ This was what she chose to say to the women. ‘It’s the same every time I go up. Not just a mess, but a man-mess. I can understand socks and all that. But it’s the bottles of beer and the cables – oh my God, the cables.’

  When she walked around the flat that day, Alice had worried that maybe her son didn’t really know how to live. He was one of those people whose sitting room is full of travel stuff and suitcases, duty-free bags, washing kits, as if he didn’t really live anywhere and just wanted to be in transit. Those people are sort of homeless, she thought. They don’t know how to belong or how to be at peace with themselves. They live out of bags; they eat on the run. And there’s no dignity or order in that kind of life. To not know where the clean towels are kept or that you have cutlery in the drawer; it’s no good, she thought, it’s a half-life.

  ‘What are the cables for?’ Maureen asked.

  ‘Video games,’ Alice said. ‘Just everywhere. Those handsets, you know. Cables like you wouldn’t believe and all these DVDs out of their cases. I think he just gets into Glasgow and goes to the flat and smokes that stuff. The ashtrays are full of it. Hash. And he plays those games, the ones that have soldiers on the cover.’

  ‘Leave Luke alone,’ Anne said suddenly. ‘He’s old enough to look after himself.’

  ‘He’s twenty-nine.’

  ‘That’s old enough.’

  When Anne looked up, ready to scrutinise her daughter, she noticed Alice had some kind of light stuff under her eyes. It’s one of those make-up pens that are supposed to take years off your age, thought Anne. One of those concealers you can buy. She’d seen them in magazines and thought it was silly to touch up your pictures.